In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.

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A brutal account of how real-life, hard-as-nails Falklands War veteran Tony Tucker came to be involved in one of the most notorious gangland murders in British history.

'Revolution: The Legacy of the Sixties' is an exploration of the 1960s Western cultural revolution as it ushers in our contemporary society. 'Revolution' explores, partly through interviews with many of its key instigators, the ground breaking cultural and social transformation of the 1960s as we get to the root of what changed during that period, and why. To what extent is our society and culture today a product of those changes? What does the 60s generation feel remains to be done today to complete the revolution, 50 years on?

A comedy writer's need for approval leads him to a wonder elixir that bends his world into a surreal landscape of comedy tropes, which forces him to explore his own worth outside the writer's room.

Kasahara Iku and Dojo Atsushi receive an emergency recall in the middle of their date as Japan is rocked by a terror attack. Their new duty is a protection detail assigned to Touma Kurato, an author. Meanwhile, the relationship between Librarians and the Media Purity Committee is also worsening. During yet another hostile confrontation, Dojo is seriously wounded. Although Kasahara is badly flustered by this turn of events, Dojo still sees fit to entrust her with Touma's protection.

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Doug and Valerie have made a mistake. Their hate-fueled obsession with the jerks downstairs — who always seem to be singing karaoke in a brownstone, who even does that? — recently led them to flee the city for Doug’s parents’ place upstate, giving up a great deal on a rent-stabilized apartment. Their friends are horrified, and regret is setting in. They start plotting their revenge— and before they know it, they’re staging an off-Broadway play starring their nemesis.

An awkward adolescent boy and his angst-ridden friends try their best to fit in amongst a cast of varied characters.